For a city that struggles year in and year out to foster a vibrant local music scene, the SVSX festival—which featured over 20 bands in 9 venues—was a success. Mike Huguenor, who opened the Pagoda Lounge lineup, took a moment during his set to comment on what an incredible event SVSX was turning out to be.

“I’ve lived most of my life in San Jose, and until very recently it seemed absolutely impossible for art to get any kind of foothold in this sprawling, vastly economically imbalanced city,” he said. “A festival like this seemed unthinkable until very recently, and I’m extremely happy to be a part of it.”

His band, which included Bob Vielma (Shinobu) on bass and Hank Richardson (Yulia) on drums, gave his solo material a driving rock edge. Yet, unlike Huguenor’s work with Shinobu and Hard Girls, these songs were notably mellower, while still holding true to his trademark blend of thoughtful lyrics and offbeat chord arrangements.

PHOTOS: 10 Photo Highlights of SVSX

The largely college-aged crowd slowly trickled in as Huguenor played. By the time Fierce Creatures went on, the Pagoda boasted a nice amount of attendees, all ready as Fierce Creatures soared through several of their lush, indie-rock, soul-inspired tunes.

The hip hop lineup at the Blank Club showed a diverse cross-section of rap styles. Antwon and Memphis rapper Cities Aviv were major highlights. Cities Aviv is gaining some buzz music blogs all over the web right now with his fresh, unusual interpretation of rap. As innovative as his album Digital Low is, live, he was on a whole other level of strange. He mixed atonal music, bizarre electronics and outer-space beats with rapping that was heavily processed and mixed at a volume barely above the music, which made for a surreal experience that fell somewhere between neurotic, spastic hip hop and avant-garde performance art.

Antwon took the stage afterword. His music and performance, while not as out-there as Cities Aviv’s, is totally distinct from anything happening in hip hop right now. He’s falls somewhere between nerd rap, stoner rap and hipster rap, yet not fitting into any of these already conceived models. The audience couldn’t decide if they were with him or not. Despite being local, he rarely gigs in San Jose, yet he’s developed an impressive following in the East Bay, San Francisco and all over the Internet (he has +120,000 views for his “Helicopter” video on YouTube).

Dirtbag Dan at The Blank Club // Photo by Alex Stover

Local favorite Dirtbag Dan, who was accompanied by Skylar G and DJ Ichy the Killer, put on one of his best, hard-hitting shows to date to an enthusiastic audience. It wasn’t long ago that Dan toiled in obscurity locally—even while being one of the biggest names in battle rap all over the world. Headlining the SVSX festival to a packed house was a monumental moment for Dan.

Before his actual set, Dan had DJ Ichy the Killer perform a solo DJ routine—the same routine that got him into the DMC online DJ competition finals. He flawlessly mixed different genres, popular songs and obscure beats, using crazy spinning tricks and strange rhythms into six mind-blowing minutes.

With nine venues total it was hard to see everything that was happening, yet there was more than enough people to go around. Johnny V’s was packed, so was San Pedro Square Market and Mezcal restaurant. The other venues did well, too, and the pub crawl element of the SVSX festival was a nice touch. Walking from venue to venue and seeing so many people enjoying good local music—rap, punk, reggae, indie rock, folk—was a nice feeling.

Usually known for it’s rock ‘n’ roll tendencies, the Blank Club hosts a rare hip-hop show for SVSX on Saturday featuring battle rapper Dirtbag Dan, up-and-coming San Jose MC Antwon with Cities Aviv, DJ Ichy the Killer and G.I.F.T.

Dirtbag Dan
12:30am, Blank Club
Dirtbag Dan was born in San Jose as Daniel Martinez. He first got onstage when he was 14 years old and saw LSP (Kung Fu Vampire’s old group) perform at Java Stop in San Jose. At the end of the performance, they invited the audience onstage to freestyle. His friends, knowing he liked to rap, coaxed Dan to try it. “It was the coolest thing ever. I was like, ‘I am definitely doing this. This is my thing,’” he recalls.

He recorded his first solo album, Dirt 4 $ale, in 2003, joining Thunderhut around that time, then Counter Productive a little later. Eventually, he devoted himself to Counter Productive full time. In 2005, he, Able Abilities & Skylar G found a DJ named Ichy the Killer, and the Counter Productive crew was officially complete.

Dan has earned international fame thanks to his dominance in Grind Time, the battle-rap league. Anyone who has seen him perform knows that Dirtbag Dan is impossible to ignore, having one of the weirdest rap personas. As his name suggests, he sports a thick scraggily hobo beard—and a loud, over-the-top swagger.

Antwon with Cities Aviv
11:30pm, Blank Club
San Jose rapper Antwon has been getting a lot of attention lately. In February, he released his video “Helicopter,” which mixes footage from Steve McQueen’s 1968 car-chase flick Bullitt with shots of Antwon and his crew wandering around train tracks, drinking malt liquor and eating heaping platefuls of food (color-corrected, of course, to match the vintage footage).

The video has received favorable attention from several blogs, including on Spin’s website. Yes, the video is good, but it’s backed up by a killer song, too. Antwon has a laid-back, easy flow reminiscent of Biggy Smalls, but he’s not taking himself seriously. He’ll string together a single sentence about smoking weed and eating too much food that is neither comedic nor pretentious. The driving, shuffling funk beat and blaring dissonant organ loop sound like they were plucked right out of a grindhouse movie.

Since his breakout mixtape “Fantasy Beds,” Antwon has released the equally impressive “End of Earth,” which has his latest single, “Living Every Dream.” The video looks like an authentic relic from the VHS era and contains an infectious sample from the famous DNA remix of Susan Vega’s “Tom’s Diner.” Keep your ears on Antwon. This is where rap is heading.

G.I.F.T./First Class
10:30pm, the Blank Club
G.I.F.T. and Bless (Ya’Soul)—two young emcees from the local hip-hop duo First Class—each bring something distinct to the table. Bless, for instance, is an intense rapper with a direct, straightforward flow. He keeps his rhymes positive and uplifting, whether he’s commenting on society or relating his personal experiences. His presence is powerful—almost intimidating. But he balances his force with thought-provoking, compassionate rhymes. G.I.F.T., on the other hand, brings a crazier, offbeat vibe. His raps are full of stream-of-consciousness associations, spun together in unusual rhythms, connecting every loose peculiar idea he has floating around in his head in a clever manner, mixing humor and down-to-earth charm.

Together, G.I.F.T. and Bless combine their strengths into a full-on, well-rounded attack. Even as they work together, they are always working off of each other—in direct competition to see who can spit the best verses. It’s been this way since the beginning, since they first met at age 13 and started writing songs together. The name “First Class” was their way of saying that their skills—when combined—could go up against any other rapper or crew out there. They are currently managed by South Bay musician and producer “Da Hermit.”

Ichy the Killer
10pm, 12:30Am, the Blank Club
DJ Ichy the Killer, also known as Chris Larsen, got his start almost a decade ago with the hip-hop crew Counter Productive. He continues to spin for Dirtbag Dan, also from Counter Productive, and Insolence, Language Arts Crew and various other San Jose groups. In August, Ichy advanced to the final round of the online portion of the DMC DJ battle. As his online video submission demonstrates, Ichy can hold his own without anybody rapping over his beats. He’s got a strong sense of structure and a slick artistic style.

Last May, local DJ Ichy the Killer competed in the semi-finals of the DMC online DJ battle, scoring 7th place, which was just high enough to advance him to the final round of the online portion of the competition.

The winner of the finals will advance to the DMC Word finals, where they will compete against 16 other DJs who have won the in-person DJ competition in their particular region. Voting for the online finals ends on August 27th. The 10 DJs with the most votes will go before the DMC panel of judges, who will decide who has the skills to advance to the world finals.

We sat down with Ichy the Killer and asked his about his history as a DJ, his thoughts on the art of spinning records and the new routine he’s worked out for the finals. To Vote for Ichy the Killer. go HERE.

Tell me about your history with the turntables. What was it that interested you enough to go out and buy a set of your own?

In high school I had some classes with this kid named Greg, I started hearing rumors that he was a DJ, so I started asking him stuff about it and eventually annoyed him enough that he let me come by his house and check out his gear. From the moment I saw his setup, it was on. The wall of records, the futuristic looking mixer and turntables drew me in instantly.

I’ve never had the desire to learn an instrument or be particularly good at any sport, but this was something I needed. I was obsessed.

How long have you been spinning records? How have you seen the art form change since you first started?

I’ve been DJing for 16 years, s0 I’ve seen the scene change a lot. The obvious change has been the analog to digital shift, which has changed the business model for damn near everything. It’s one of those things that won’t make a bad DJ good but can make a good DJ better. When I first started, I remember getting the question “What genre do you spin?” And there would be a plethora of obscure sub genres you would go through to try and make yourself sound original. “I spin tribal progressive deep house transient dolphin fusion music.”

I think that nowadays you have to be able to spin everything, and be able to do everything. When I think of the best DJs in our scene—like Goldenchyld, Cutso, Traps—these guys are balanced. They battle and scratch and they can kill a club full of drunken people who know nothing about the art. You cannot be a one trick pony anymore.

Who is your favorite DJ and biggest influence? How do you feel he approaches the turntables differently than anyone else?

The list really is too long for this one, partially because a lot of people that influence me aren’t DJs. Even more aren’t even musicians. Martial artist Bruce Lee taught me how to be passive when I play, baseball player Suzuki Ichiro taught me how to get in the zone when I work by creating repetition. Leonardo da Vinci teaches me how to think outside the box. My influences give me the potential to be myself when I create. I’m inspired by life, as cliché as it sounds it’s the only way I can describe it.

You DJ in bands that play lots of different musical styles: rap, metal, etc. How does the approach to spinning records differ when played in different musical genres? How has playing in different kinds of bands shaped your solo work?

Playing in bands was the best decision I’ve made to this date. Scratching is very percussive, but when I’m playing with a band I had to be a lot more melodic and it had to fit with what the other five members of the band were playing. Producing and recording songs in general really helped me in how I write my routines. I’ve kind of developed a rep as being more melodic when I scratch, which is great since I have no real musical training.

What do you think makes for a truly good solo DJ track? What is required of the DJ when playing solo that isn’t needed when playing with other musicians?

A good solo routine should sound like song. Traditional battle routines consist of scratching and beat juggling. I’ve tried to add a third element which is a melodic element, something that draws people emotionally to the routine so you can end strong and leave the people wanting more. Build up build up, and then right when you’re at the peak just stop. That’s how you get’ um.

When DJs are playing in a band it’s less about technique and more about filling the gaps. I think battle DJs have a tendency to want to constantly solo, but no one’s trying to listen to a DJ in a band solo for 45 minutes.

What new ideas have you got planned for the second DMC round to really up the ante and make it to the London competition?

I feel like my first round was strong but didn’t represent my style as well as would have liked. I use a Skrillex track for my routine. There are a lot of DJs that use all dubstep in their routines and I think I might have came off to the judges as a guy that jumps on trends. The routine had good beat juggling and melodic elements, but I didn’t scratch as much as I should of.

My second round has a lot more scratching in it because I think that’s my strongest element and it’s a side of me the judges haven’t seen yet. My big ender is a cover I do of Masta Ace’s track “Born to Roll.” I’m really proud of that piece and think it’s a pretty original concept, hopefully the judges feel the same.

What do you think sets you apart from your competition?

I think I’m a better producer than most battle DJs. I have more experience writing tracks, and that carries over into my routines. Also I’m the first person to criticize myself, I am always looking for ways to improve my style. I’ve come a long way but I know that there is tons of room for improvement and that’s comforting to me. I’m glad that I can be doing something for 16 years and still not be able to call myself a master. I can’t say I know where I’m going, but I can say I’m going to try new things, some will be good, others will suck, but It’ll be my journey and I am proud of that.

Ichy the Killer performs at Johnny V’s on Tuesday, August 21st.

The DMC Championships, which has has helped launch the careers some of the most famous DJs in world over the past 20 years, is offering DJs around the world a chance to attend the DMC World Finals in London through an online voting process. San Jose’s own DJ Ichy the Killer is currently in the top five of the second round and has one more round to go before making the finals.

Anyone with a two-minute video showcasing their skills can enter, and then it’s up to the public to to vote on who should move up in each round. Here’s Ichy’s submission:

Ichy the Killer, also known as Chris Larsen, got his start almost a decade ago with the hip hop crew Counter Productive. He continues to spin for Dirtbag Dan, also from Counter Productive, and Insolence, Language Arts Crew and various other San Jose groups. But as his online video submission demonstrates, Ichy can hold his own without anybody rapping over his beats. He’s got a strong sense of structure and a slick artistic style.

Voting for round 2 is open until May 14th. Vote for DJ Ichy the Killer HERE.