At the same time that other, fussier British rock bands were playing around with classical allusions and 12-minute song suites in the early 1970s, Foghat was keeping it simple with brawny, unpretentious, boogie-based guitar-rock that scored hits with the beer-swilling masses. From “Drivin’ Wheel” to “Fool For the City” and onto the immortal jam “Slow Ride,” Foghat kicked tail throughout the ’70s. The tide went out on the band in the ’80s. Then came Richard Linklater’s Dazed and Confused, which cemented Foghat’s status as one of the simple pleasures of a weird and complicated decade.

Foghat
Thu, 8pm, $62
Heritage Theatre, Campbell

Hard to believe it’s been 50 years since the Carpenters released their first album on A&M, and harder still to believe that Karen Carpenter was initially reluctant to come out from behind the drum kit to focus on her vocal talents. Her innate sense of rhythm combined with her honey-smoked alto lent gravitas to the string of pop rock hits she had with her brother Richard in the ’70s, lowering the sugar content of songs like “Close to You” and lifting songs like “Rainy Days and Mondays” from pop pablum to classic ballad. Campbell’s Heritage Theatre launches its 2019-20 season with a golden anniversary tribute to the superstar duo.

Carpenters Remembered
Sat, 8pm, $45
Heritage Theatre, Campbell

Depending on who you ask, Blue Öyster Cult is either best-known their 1976 smash hit “Don’t Fear the Reaper” or for a 2000 Saturday Night Live sketch poking fun at the prominence of one of the track’s most prominent rhythmic elements.A winning combination of catchy riffage, hard rock arrangement and borderline-progressive rock composition style, the song—which appears on BÖC’s Agents of Fortune LP—quickly became a rock classic, and established the band as a force on FM radio.

But the Long Island-based group had been perfecting its brand of rock—a deft balance of metal, malevolence and humor—for many years before scoring a hit. First coming together in the late ’60s as Soft White Underbelly and then as the Stalk-Forrest Group, the group cut an album for Elektra Records in 1968; it wasn’t released until 2001, and then only in a limited edition.

Blue Öyster Cult built its fan base the old-fashioned way—through incessant touring, earning new fans by putting on dynamic, incendiary shows opening for many of the era’s top rock acts including John McLaughlin’s Mahavishnu Orchestra and Alice Cooper. The band released its self-titled debut album in 1972, further refining and sharpening its sound with each successive release.

Leveraging its thrilling live presence, BÖC released its first live album, On Your Feet or On Your Knees in 1975. The LP earned a gold record, expanding the group’s reach into the hearts and minds of America’s rock fans. That set was quickly followed up by the watershed Agents of Fortune, BÖC’s first massive success.

Now a major musical force, the band delivered another stone classic in the 1977 single “Godzilla.” A second live set, the platinum-selling Some Enchanted Evening, underscored the point that however solid the group’s studio work might be, BÖC was best experienced live.

Though the group featured several top-notch songwriters, and recorded songs written in collaboration with superb lyricists, including Patti Smith and science fiction writer Michael Moorcock, BÖC often included covers in their sets. Those songs were hard-rocking tunes by like-minded artists: MC5’s “Kick Out the Jams,” Steppenwolf’s “Born to Be Wild” and the Doors’ “Roadhouse Blues” were typical examples.

As the era of MTV ushered in greater emphasis on audiovisuals in popular music, BÖC capitalized on the trend with the smash album Fire of Unknown Origin. With the Top 40 single “Burnin’ for You” and deep album cuts like the delightfully macabre “Joan Crawford,” the group began the task of winning over a newer generation of fans. Yet another live album, 1982’s Extraterrestrial Live, was released to build on the band’s recent critical and commercial success; two more live releases would follow in future years.

The remainder of the 1980s and beyond saw personnel changes and found the band failing to sustain its early momentum. But a resurgence of interest in classic hard rock—coupled with a thoughtful series of reissues of BÖC’s prime-era material—helped breathe new life into the band.

Will Ferrell and Christopher Walken’s classic SNL skit also worked to raise the group’s profile, turning an entire generation onto “Don’t Fear the Reaper” with just two words: “More cowbell.”

Newly reinvigorated, the group—still featuring original members Buck Dharma (lead guitar) and Eric Bloom (vocals)—recently announced plans to record and release an album later this year, its first collection of new music since 2001’s Curse of the Hidden Mirror.

Blue Öyster Cult
March 15, 8 p.m. $65
Heritage Theatre, Campbell

Of all the bands that carved out a niche in the bouncy bubble that was the late-’90s swing revival, few garnered more mainstream love than the Cherry Poppin’ Daddies. The Eugene, Oregon, band scored big with their 1997 single, “Zoot Suit Riot.” But to their dedicated fans, the Daddies are far more than a one-hit wonder. The group was founded by guitarist and singer Steve Perry in 1989 and has always incorporated a diverse range of influences in its eclectic sound, from doo-wop to punk to ska to jazz.

Cherry Poppin’ Daddies
Sat, 8pm, $49
Heritage Theatre, Campbell

Michael Jackson tribute artist Michael Firestone is coming to Campbell. Donning the iconic sequined glove, Firestone will tackle some of the King of Pop’s biggest hits, like “Billie Jean,” “Man in the Mirror” and the October-appropriate “Thriller.” Sure, there can only ever be one Michael Jackson, but tribute shows are as much about tapping into the magic of collective memories as they are about re-creating details of the past. Firestone and the musicians and dancers who back him up are intent on keeping Jackson’s spirit moonwalking across the stage with I Am King: The Michael Jackson Experience.

I Am King
Sat, 8pm, $49
Heritage Theatre, Campbell

Rumbling onto American stages during the mid-1960s, the Rolling Stones were the dangerous alternative to the bubbly Mersey Beat sound of their contemporaries The Beatles. Anyone who knows anything about The British Invasion knows that. The only question is, whose side are you on? Join in the enduring rock & roll debate as two tribute bands—one saluting The Beatles and the other paying homage to The Rolling Stones—go head-to-head on stage. Stones tribute group Satisfaction play the bad boys, while Beatles carbon copies Abbey Road take on the works of the Fab Four.

Beatles vs. Stones
Sun, 7pm, $35+
Heritage Theatre, Campbell