YEAR-END LISTS typically hew to the comfy round number 10. And although Top 10 has a ring to it, Silicon Valley’s melting pot of musical talent fused genres, collaborated, innovated and turned out so many great LPs and EPs this year that it became a nearly impossible task to narrow it down to even the Top 15 releases, so we squeezed one more pick for a favorite 16. Here, in no particular order, are some of 2013’s best local releases.

The Bangerz: PRiSM
PriSM, the Bangerz’ second soundtrack LP for the Jabbawockeez Las Vegas stage show, showcases the crew going deeper into some amazing futuristic soundscapes. The crew has always straddled a line between throwback hip-hop and cutting edge electro-jams, but it’s all forward thinking with this release. In a sign of the times—as the line between EDM and hip-hop continues to blur—there’s a healthy dose of dubstep influence on this record, as well.

Rebelskamp: The Kill
Going into a recording studio without any written material doesn’t sound like a winning formula for an album, yet Rebelskamp produced a remarkable LP this year. They’ve gotten so good at improvisation that they don’t sound like they’re inventing the music on the spot. Yet, the spontaneity of such a freeform formula remains intact. These songs go any and everywhere, drifting through funk riffs, psychedelic space jams and crazy free-jazz. A highlight is “The Rebel,” with local rapper Dirtbag Dan freestyling a couple verses.

Philthy Dronez: Wepa Life
Up until recently, Matt Gonzales was known mostly as the go-to guitarist for local bands. (Anya and the Getdown, Raul y Mexia, Chris Reed—to name a few). Now the world gets a taste of his solo project: producing Latin-infused electro-beats under his alter-ego, Philthy Dronez. His debut EP, Wepa Life, was released on Global Bass Experience a few months back. It’s a short EP, about 15 minutes, but it’s bumpin’. It centers on the emerging new-cumbia sound, but also veers into electronic and hip-hop territory, and even some old-school cumbia.

Boboso: Grown Ass Man
There are three things Boboso raps about: food, cats and his love for the female derriere—often within the same song. Yet, he’s not exactly a comedy rapper. He can really rhyme. Plus, his production skills are top-notch: classic West Coast beats with surreal twists. The Beach Boys sample on “That Breathe In, Breathe Out Shit” is a particular highlight. Jeff Rosenstock from Brooklyn punk band Bomb the Music Industry also lays down an impressive verse on “Sartorial Panache.”

Careless Hearts: Alum Rock
Alum Rock isn’t just the latest album by Careless Hearts; it’s the culmination of five years of life-changing events. They started out a laidback Americana group, but since 2008’s Heart’s Delight, they’ve gone through some major lineup changes and played a life-changing show with punk legend, Stooges guitarist James Williamson. It shows in the roots-rock, power-pop songwriting on Alum Rock. The release rocks harder, louder and with more passion than their first two albums.

Antwon: In Dark Denim
In Dark Denim isn’t as accessible as Antwon’s prior work and takes the San Jose rapper in a new direction. His beats are grimier, the samples are darker and the lyrics are dirtier than ever. “Work 4 Me,” with its down-and-dirty hip-shaking beat and raunchy lyrics, sounds like he’s seducing the listener. All the while, Antwon’s fanbase continues to grow, with a successful run at SXSW, an appearance at Treasure Island Music Festival and two national tours during the last year.

The Albert Square: How’s Everybody’s Doings?
Last year, Sim Castro reformed his punk rock outfit the Albert Square. The songwriting is much in the same vein, subtly nuanced ’80s and ’90s post-punk-inspired, but the band’s performances are far more unhinged—a good thing. Their newfound spastic energy complements Castro’s reflective songwriting quite well. However, the strongest song, “(Proud) Parents,” is oddly the most reserved track on the EP.

The Limousines: Hush
It’s been a couple years since synth-pop duo the Limousines released their brilliant debut, Get Sharp. Despite all the views they were getting on YouTube and radio play they received, they had major problems to sort out with their label, but Hush was worth the wait: Its synth beats are dancier, the production is more refined and in place of their signature clever nihilism, Hush offers lyrics that are raw and honest. Hush was made with funds from a Kickstarter campaign that sought $30,000 but ended up raising $75,000.

Dinners: Black Rabbits
If such a thing as a San Jose “supergroup” exists, Dinners might be that band, featuring members from Worker Bee and Doctor Nurse. Dinners go into a different direction than either Worker Bee (moody indie rock) or Doctor Nurse (psychedelic folk) with lo-fi noise-pop and a heavy dose of Guided By Voices influence. At first listen, Black Rabbits sounds like the kind of four-track recording popular with ’90s indie bands, but it’s actually a quite meticulously, thoughtfully crafted album. The cover art is amazing, too.

Rey Resurreccion, M-10, Locsta Villan: First Street Sessions
Some of rapper Rey Resurreccion’s finest works are collaborations. Last year, he worked with the Bangerz to make some killer old school hip-hop tunes. This year, he got together with emcees M-10 and Locsta Villan and created the 1st Street Sessions. Together the trio has produced eight laid-back, dreamy hip-hop songs that should be on urban stations all across the country.

Raul y Mexia: Arriba y Lejos
Brothers Raul y Mexia released a fun, passionate Spanish-language album this year on Nacional Records, the current leaders of cutting-edge Latin music. Arriba y Lejos combines elements of cumbia and other traditional Latin sounds with hip-hop and electronica. The duo, who are sons of Hernán Hernández, bassist of famous Norteño band Los Tigres del Norte, has created something that both pays tribute to classic Latin music, like their father created, and all the newer American music they grew up with here in San Jose.

Sean Blak: #Basslife
Sean Blak books live hip-hop shows, puts on battle-rap events and holds a weekly Tuesday night residency, “the Trap Shop” at Johnny V’s. He’s also a prolific rapper, with a ton of lo-fi, surreal homemade hip-hop records online. His best this year is the LP #Basslife. On it, he takes some of the strangest, most intimate beats and makes them sound like outrageous club bangers.

Slime Girls: Vacation Wasteland
By the time Slime Girls came together, the chiptune scene was already well-established. Yet they’ve still been able to find their own sound within it, taking all the old Nintendo chip Gameboy sounds and mixing them with surf, punk and ska. Their latest EP, Vacation Wasteland, is a seriously fun collection of instrumental chip-rock tunes. It was originally pressed on cassette because they’re that into old technology.

David Brookings: The Maze
The Maze is David Brookings’ sixth full-length album since 2000, yet he’s still working on building his fanbase in the Bay Area. He moved to Northern California from the Memphis by way of Richmond, Virginia, in 2009, and produced his five albums before heading West. The Maze, like its five predecessors, brings together ’60s psychedelic-rock and ’80s New Wave.

Derek See: She Came This Way
The title track to Derek See’s She Came This Way is an amazing psychedelic-pop gem. At first, See, who normally plays guitar in soul group the Bang, recorded it, along with a couple other tunes, just for fun. It was good enough for an indie label to offer to release it, and they even ran out of the first pressing. It’s the kind of song that, had it been written in 1967, would have been a Summer of Love FM hit, no doubt.

Noothgrush: Split LP with Coffins
Back in the ’90s, sludge metal group Noothgrush were a pretty big deal. Along with Sleep and a few other bands, San Jose boasted a strong doom metal scene. Noothgrush just recently reformed, and they also just released a split record with Japanese metal band Coffins. The third track, “Thoth” is particularly special, as it contains spoken clips from the late, great, much beloved KFJC DJ, Cy Thoth, who died earlier this year.

A few years ago, Worker Bee and Doctor Nurse were two of the biggest local indie-rock bands. They haven’t broken up, but they aren’t as active as they once were. Evan Jewett, Worker Bee’s lead singer, moved to New York, and a couple of members of Doctor Nurse had kids, which made gigging and maintaining a regular practice schedule tough. In the midst of all this change, Dinners, consisting of two members of Doctor Nurse (Jeff Brummett and Todd Sandigo) and two members of Worker Bee (Andy Barnes and Damien Wendel), formed in the most unassuming of ways.

“Jeff was bored and started hanging out with Andy,” Sandigo explains. The band performs during the latest installment of Daydream Nation at San Pedro Square Market on February 23.

While Brummett was the primary songwriter for Doctor Nurse, it was Jewett who took the lead with Worker Bee, yet Brummett found that Barnes was actually quite the songwriter. Both brought their songs to the table, singing lead vocals to their own compositions. Wendel and Sandigo quickly joined and made it a full-fledged quartet.

“It was organic,” Brummett says of the process. “It was going well, and those other guys weren’t around.”

The songs they came up with were entirely different from both Worker Bee’s lush, meditative, dynamic sound and the subtly complex psychedelic-folk songs of Doctor Nurse. Instead, they played bare-bones, heavy, guitar-driven indie-rock songs.

“It was a reaction to both of our bands,” adds guitarist Sandigo. “Worker Bee was really highly composed, with all these different parts and all these different polyrhythms going on. Doctor Nurse was complicated also, with the folk and the other styles mixed in. We just wanted to get back to basics.”

In the year-and-a-half they’ve been playing together, they have been very modest about promoting themselves. The four members just don’t seem to enjoy making a big production about themselves, even down to their name, “Dinners,” which doesn’t exactly sound like a typical band handle.
Yet they’ve worked on their debut album, Black Rabbits, which is being pressed on vinyl now. They write their songs quickly in order to capture a liveliness, yet they have been diligent at selecting only the songs that sound exactly right.

“We’re not meticulous, but we’re really picky,” Sandigo says. The pickiest of all is Brummett, who doesn’t like to spend too much time on a song that doesn’t feel right. “Jeff’s a big song dumper. That’s part of his M.O., and that’s been for all his bands,” Sandigo says.

They spent the better part of four months recording their album in Brummett’s living room with an eight-track tape deck rather than working in a studio, or even using modern computer recording software. The sound quality is reminiscent of the ’80s/’90s lo-fi indie bands, back before underground bands had access to Pro Tools.

“I like the ideas of weirdos hanging out in their houses recording jams at midnight on a Monday rather than a bunch of people in some big studio somewhere,” Brummett says. “When I listen to my favorite four-tracked records—Guided by Voices, Lou Barlow, Bill Fox, Beatnik Filmstars—there’s an intimacy and looseness that is very appealing to me.”

The production is deliberately squashed. The vocals are mixed right down into the guitars and drums, instead of high above as on most radio songs. The songs jump between fast and slow tempos with loose pop sensibilities. Yet people used to standard rock production qualities may not get it, which is OK with Dinners. They spent a lot of time making sure it was mixed just the way they liked. After several failed attempts to do it themselves, they enlisted their friend Yong Muller to give it a go, which worked out.

“I genuinely like stuff that sounds like it’s on a four-track. I generally really dislike the way big rock guitars sound digitally. There’s no grit whatsoever,” says Brummett.

Most of the 13 songs on Black Rabbits were written and demoed a few months before the album was recorded. A couple were written during the recording session itself. All of them were recorded while still fresh so that the band was very excited about them.

“We really should have the recording stuff set up constantly and during practice when a song is really peaking, just record the album version right then,” Brummett admits.

In September, Dinners started an Indiegogo campaign to pay for the vinyl pressing. Rather than offering a rewards for different levels of contribution, Dinners just treated the campaign as a way to pre-order the album, because really all they care about is being satisfied with what they’ve created.
“It’s fun to play songs with people, but absolutely it’s about the content to me. Just listening to a song and capturing what the song is supposed to be, that is incredibly fulfilling. That’s the whole thing really,” Brummett says.

After a summer schedule full of interesting bookings, Naglee Park Garage will host two more concerts before ending its live music season for the year. Doctor Nurse brings atmospheric indie rock on October 17 and the Golden State Ramblers close the season October 24 with folk, Irish and novelty tunes from the 20s-40s.

The shows are always free at Naglee Park Garage and are held every Wednesday during the extended summer season outside on the patio. The lineup this year included young indie-rock acts (Curious Quail, Orangutang), alt-folk artists (The Wild Reeds, Will Sprott), roots-rock groups (Careless Hearts) and reggae-world beat fusions (Los Hot Boxers, The Champions, inc).

According to owner Chris Esparza, the weekly Wednesday shows were consistently successful. People enjoyed the combination of good live music and outdoor dining. He plans to have live music return in 2013 every Wednesday, most likely beginning in May.

Doctor Nurse play Naglee Park Garage on Wednesday October 17th at 7pm. The Golden State Ramblers play Naglee Park Garage on Wednesday on October 24th. Both shows are free.

San Pedro Square Market and hosts an all-ages show for SVSX with Careless Hearts, Doctor Nurse, and Dirty Pillows.

Careless Hearts
9pm San Pedro Square Market
Careless Hearts began as pure San Jose alt-country. After building up a following in the South Bay and elsewhere since 2005, their career took an unexpected left turn in 2009 when they found themselves backing Iggy & the Stooges guitarist James Williamson at the Blank Club, Williamson’s first performance in 35 years and a warm-up for his return to touring with Iggy Pop. (The Blank Club performance was released as the 2010 album James Williamson and the Careless Hearts.) The event was a turning point in the Careless Hearts’ career; afterward, they released a three-song EP that found their finely crafted roots thunderstruck with Iggy’s (and Williamson’s) fiery “rawk” influence. It remains to be seen what direction the Careless Hearts take next, but with the band’s proven talent and new adventurousness, their next record is sure to be a welcome surprise no matter what.

Doctor Nurse
8pm San Pedro Square Market
Doctor Nurse’s approach to songwriting is similar to that of indie-rock legends Guided by Voices. Both groups pluck the best elements of psychedelic rock, prog-rock, lo-fi indie and power-pop and blend them into an amalgam of gorgeous, offbeat, well written rock & roll.

The similarities stop there; while Guided by Voices churns out partially complete lo-fi gems as quickly as the ideas pop in their heads, Doctor Nurse works slowly and methodically. The band, for instance, spent years working on Calm Seas, Phantom Lights. The album is not only full of intelligent, grandiose psychedelic indie-folk, clearly written by educated music lovers, its production is masterfully nuanced with glistening layers of keyboards, guitars, percussion and vocal harmonies. It is the kind of album worth listening to on headphones to pick out every subtle detail with each listen—or live in concert, where the waves of sound and vibrations overtake you.

Dirty Pillows
7pm, San Pedro Square Market
Formed in 2008 by guitarist/vocalist Alejandro Villanueva (who goes by his nickname “Millhows”) and drummer Jeff Evans, Dirty Pillows plays music that celebrates the pair’s shared influences—Modern Lovers, the Damned, Talking Heads—but also captures the raw, rushing sound of the earliest days of punk.

The South Bay duo’s visibility has been patchy at times, but they’re making a big push right now. Their recent song “Love Happening” sounds like something the Brian Jonestown Massacre might have released. As Evans describes it, “That song is the one that everybody has their own interpretation for.”

Evans and Millhows manage to create psychedelic, pop and garage tones with only two band members. Jeff is not afraid to hit his drum kit, and somehow Millhows makes sense of the army of loop machines and effects in front of him. “I sort of seem to channel this very post-punk, choppy, very angular guitar spirit,” Millhows says of his guitar playing.

When Jeff Brummett isn’t busy working at Streetlight Records, he’s playing guitar and singing in Doctor Nurse, one of San Jose’s best indie rock bands, featuring heavy psychedelic and folk influences and a balance of lush vocal harmonies and carefully textured instrumentation.

Their song craftsmanship is surprisingly sophisticated, better even than a lot of touring psychedelic-influenced indie rock bands. Mood and understated emotional intensity are at the forefront of every song, usually starting out mellow, using repetition and layering to give the songs a slow and powerful buildup. While Doctor Nurse has only been around a couple years, Brummett is no newbie to the San Jose scene. We asked him to share the spots in San Jose he knows and loves.

What part of San Jose are you from?

I live in Willow Glen and there’s this particular homeless guy I’m fairly obsessed with. He is always madly scribbling what looks like crazy scientist Aztec symbols in this book. Whenever I give him some dough, I’m tempted to ask him about it, but ultimately I don’t want the mystery revealed. The not-knowing is the thing. Unless he’s making blueprints for a time machine or something—I definitely want in on that.

What’s your favorite place outside of San Jose?

Costa Rica is a magical land filled with green trees, monkeys and banana milkshakes. Can’t beat it, and their capital is named San Jose.

What’s the best show you’ve seen in San Jose?

This one is easy. In 2008, the Blank Club had Extreme Elvis, Neil Hamburger and The Legendary Stardust Cowboy on one bill. The stars were aligned that night in ways I’d never conceived. The Ledge left the stage during a song leaving the band to finish without him as he went and caught the bus. Neil Hamburger did the Colonel Sanders/Sally Field joke and Extreme Elvis (after um, “marking his territory”…. yes, what you’re thinking is absolutely correct) eventually led the crowd to the street for an acoustic sing-along rendition of “Suspicious Minds.” Did I mention that he was completely naked? Sublime.

Who’s your favorite local band?

Well, I loved Worker Bee so much I am now in a band with two of the members. I’ve gotten sneak peeks of the new Plantain and Ugly Winner records and they are really, really good. Totally looking forward to the Amonie record coming soon. The new Sourpatch record is great. It seems like a bunch of folks will finally be releasing material this year. Very cool.

Where’s your favorite place to get a drink in San Jose?

Good Karma has an amazing selection of high-end beers. They have such great variety and are always getting new and unique brands. They have events with exclusive brews that you can’t find anywhere else. Ryan Summers is the best host in town and all the staff there are incredibly nice and welcoming and don’t yell at me when I’m hanging in the back getting in their way.

Where’s a cool spot for new threads?

I’m the most unfashionable dude ever. Black and Brown is pretty much the only place I go. Last time I went there, I scored this corduroy jacket and Irene who works there said that I liked “grandpa clothes.” She was right. Plus, they have cool art and music shows and are generally awesome people.

What’s your favorite spot for a cheap bite in San Jose?

Me and my buddies have been obsessed with Taco Bravo for years. I can’t say I’ve actually eaten there in a long time, but what other place can you order an item off the menu item called “The Boneyard.” I work down the street from there and one of my favorite pastimes is driving by and counting the number of people waiting in line during breakfast time. The record? Eleven people wanting Bravo at 10:30 am. The world is a wondrous and mysterious place. Plus, the dudes who work there go to the same bank as I do.

What’s the best thing about living in San Jose?

A few things I guess. The group of talented, creative geniuses/doofuses I hang with truly make this place all worthwhile. The close proximity to the greatest radio station on Earth, KFJC. Joey Myers still lives here. Plus, that beer-batter thing at the SJ Giants game is kind of a hoot. Did I mention Bravo already?

Where’s the best place in San Jose to go relax?

Funny you bring that up. Every Cinco De Mayo I like to put on a nice velour jogging suit, whip up a little chamomile tea and take a leisurely stroll down Santa Clara St. and soak in all the stabbings. Very zen.

Where’s the place to see a show in San Jose?

Unquestionably the Gingerbread House. It’s by far my favorite place to play. They get a lot of touring bands that are under the radar and are real independent musicians scraping by, driving through the country just having a good time. The bands don’t have to worry about drawing a crowd, because there’s always enough friends to fill it up. You don’t have the stress of club owners and promoters being bummed on the lack of support. The room sounds amazing and Todd and the crew who live there are such great people. They open up their house to let strangers do their art, which is definitely a very generous and selfless act. It’s an important bubble in our little scene here.

What’s San Jose’s best kept secret?

R & D Liquors on Willow has free hot coffee!