LIVE 105 has been on the forefront of the EDM movement for years, promoting it even back when it was still a niche genre. In recent years at the BDF festival, the Subsonic Tent—an extension of Aaron Axelsen’s electronic music show—has become a bigger part of the festival, encompassing a bulk of the festival’s more interesting bookings.

In fact, even on the other stages this year, the strongest bands were the ones who stylistically could just as easily fit on the Subsonic Tent. Below are some of the highlights from this year:

Capital Cities
By far the strongest act to play the Festival Stage this year. Capital Cities, a new duo from LA, brought disco-infused synth-pop beats to BFD with a live guitarist, bassist and a trumpet player. Two vocalists, one tall with a mustache and the other short with a bushy beard, both equally shared vocal duties with a fun, somewhat goofy stage presence.

Midway through their set they taught the audience the “Capital Cities Shuffle,” which was simple enough for anyone to execute. They played a bizarre, slow-downed rendition of the Bee Gees’ “Stayin’ Alive” and an upbeat dance-version of Sinead O’Conner’s Prince-penned “Nothing Compares 2 U.” They closed with their buzz single, “Safe and Sound,” a catchy dance-pop song.

PHOTOS: Check out the Metroactive photo gallery.

Wallpaper
It’s incredible the attention Wallpaper have been getting the past year considering that it’s basically an ironic pop act with elements of R&B, hip-hop, all done through a weird performance-art lens. But now it seems the ridiculous character known as Ricky Reed is becoming an actual pop star. What has been their biggest selling point is how strong of a performer Reed is and his ability to engage the audience and get them moving, but the entire band has become a theatrical spectacle.

At the Subsonic Tent, where they played this year, their three drummers pulled out some amazing synchronized moves, including the final breakdown of “Fucking Best Song Everrr” when the drummers stood up, shook the audience’s hands and returned to their kits at the same moment and jumped back in on the beat. They are one of the best live acts going right now.

Passion Pit
LIVE 105 couldn’t have booked a better main stage headliner this year. Passion Pit have really blown up this past year with the success of their brilliant sophomore release, Gossamer, which infuses synth-pop with elements of indie rock. At BFD, they played cuts from their debut, but the highlights were the tracks from Gossamer, including “Carried Away,” “It’s not my fault, I’m Happy,” “Cry Like a Ghost” and the breakout single “Take a Walk.” The evening was particularly special for Passion Pit as lead singer Michael Angelakos celebrated his 26th birthday.

DJ Shadow
DJ Shadow’s set at BFD featured obscure and often brand new tracks that he continued to assure the audience they’d probably never heard before. It was a strange, mind-melting juxtaposation of songs, mixed and blended by the iconic Bay Area producer. Every once and a while he’d lower the music and make a comment, like, “Just to let you know, there’s no laptop on stage with me” or “If you’re confused about what’s going on, look at your neighbor and do what they’re doing.” Some of the beats we danceable, others were just weird, slow trance beats, while others were loud, bass-filled outer space soundscapes. He cut songs together so fast, and with so much skill, it was hard to do anything but stare, amazed.

San Jose
This was the year for San Jose at BFD. There were more bands from the South Bay to play BFD than probably any year before with four bands on the Soundcheck Stage and the Limousines on the Subsonic Stage. Over on the Soundcheck stage, the Trims, Anya and the Getdown and Picture Atlantic all played excellent sets, but it was a particular pleasure watching Curious Quail’s set. Their music probably least resembles LIVE 105’s format of all the local bands, but they fought hard to get there with an online vote.

Their excitement of being on stage at Shoreline was palatable, understandably so. Over at Subsonic, the Limousines put on an intense, mostly serious set that, with the exception of two songs, were all tracks off their new album, Hush.

With the reunited Jane’s Addiction headlining Live 105’s BFD this weekend, it’s the perfect time to remember the first club to bring Perry Ferrell’s legendary band to the South Bay. From 1985 to 1990, Santa Clara’s One Step Beyond was a hub of counterculture in the Valley, with their all-ages policy exposing a generation of indie kids, punks, goths and other mistfits to not only Jane’s Addiction, but the Ramones, Replacements, Ministry and other alt-rock legends.

After the success of the One Step Beyond reunion last year, organizers are doing it again on July 21 at Club Illusions in Palo Alto (which has its own unique history throughout its various identities as the Keystone, the Vortex and the Edge). Headlining the One Step Beyond reunion this year will be the Frail, with performances from several DJs, including Live 105’s Aaron Axelsen.

Before Axelsen was shaping musical tastes around the Bay Area as music director at Live 105 and host of the weekly new-music showcase Soundcheck, he was having his own tastes shaped at One Step Beyond.

“I used to go to One Step Beyond and see crazy bands there when I was 14,” says Axelsen, who grew up in the East Bay. “It was a big part of who I am.”

He sees this event as sort of a high-school class reunion for those who had their eyes and ears opened at 1400 Martin Avenue. He’s also a big fan of headliners the Frail, the up-and-coming San Francisco electro-pop group who are releasing a new record this summer.

The One Step Beyond reunion will be held July 21, 8pm at Club Ilusions in Palo Alto, $10 pre-sale/$15 at the door.

The Morgan Hill mafia will invade BFD this year, when Mike Garmany and James Mellow (better known to many of his early fans by his real name, Grant Averill) will both be playing the Local Band Stage at Live 105’s annual music festival.

Garmany will be performing with the Holdup, whose first two records both debuted at #1 on iTunes’ reggae chart, and who have been in rotation on Live 105 with “Young Fools,” their sorta-cover of Peter Bjorn and John’s “Young Folks.” Mellow will lead his electro-pop group Young Science, who got onto the airwaves last year with “Liquor Store,” the single from their debut EP. Both do production at Garmany’s Morgan Hill studio, where Mellow just completed the first Young Science album.

“We’ve been super good friends since we met in junior high,” says Mellow, taking a break from work at the studio. In fact, he says he picked up his first instrument back then, the bass, just so they could be in a band together. That one never went anywhere, but they do have a hip-hop/R&B collaboration now called Twin City, for which they released a free 17-song mix tape.

In light of all that, it’s a little remarkable that neither their professional collaboration or personal connection has anything to do with the fact that they’re the sole representatives of the South Bay on the BFD lineup this year.

“It was absolute coincidence,” says Mellow. He knows dozens of band are vying for the attention of Aaron Axelsen, the Live 105 DJ who picks the lineup for the Local Band stage, and who first played both Young Science and the Holdup on his Soundcheck show. Many seem to try to figure an angle that will get them noticed, but Mellow thinks Axelsen’s continued success comes from his straightforward approach: “He just has to like your music. That’s it.”

Axelsen says both Young Science and the Holdup are hard-working bands with great songs, who embody what he wants to showcase in the Bay Area scene. “People ask me all the time, ‘How do I get on the radio, Aaron?’” says Axelsen. “I just say ‘look at what Young Science is doing.’”